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Showing posts with the label Amita Kanekar

The Goan Temple: Preserving Goan Religious Heritage - 2

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  (The conference titled ‘Challenges for the Preservation of the Diverse Goan Religious Heritages’ was held at Fundação Oriente India in Panjim on the 18th of March 2018. Joaquim R Santos (University of Lisbon), Vishvesh Kandolkar [Goa College of Architecture], Amita Kanekar [Al-Zulaij Collective], and Gulafshan Khan [Deccan College of Pune] presented perspectives on the heritage of various religions in Goa.) Amita Kanekar, independent researcher in architectural history and member of the Al-Zulaij Collective spoke on her topic 'The Origins of the Goan Temple and the Challenges for their Preservation'. The problems that challenge the preservation of Goan temple architecture are: the style in which they are built is not really recognised as a specific type of architecture; the style is quickly disappearing; those who know the history of these temples are not inclined in the least to extricate them from a tangle of myth and legend by presenting their true history and origins; a

Goa’s Forts Revisited

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The Deccan Heritage Foundation, a UK registered charity, is responsible for the publication of a new guidebook on the forts of Goa. Portuguese Sea Forts of Goa, with Chaul, Korlai and Vasai is a new publication in a series of books documenting various places in the Deccan region of India. As the first guidebook to describe the forts along the Arabian Sea coast, Portuguese Sea Forts of Goa, with Chaul, Korlai and Vasai aims to inspire the desire to preserve and restore heritage sites, along with providing knowledge about them. It is being hailed for being informative in an engaging manner and devoid of academic jargon. Architectural historian Amita Kanekar has researched and written the guidebook while the photographs are the handiwork of Surendra Kumar. Maps have been added to the book to encourage people to visit the forts and thus to give them an idea about military architecture and the Portuguese influence on it in Goa. These forts are mostly protected but the general public and tou

Buddhism as a Political Philosophy

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Amita Kanekar, an architectural historian who teaches at the Goa College of Architecture, is also known for her historical novel Spoke in the Wheel . The novel deals with the Buddha and early Buddhism. Raised as an atheist, her interest in Buddhism is far from a spiritual search but an exercise in unveiling revolutionary movements and their implications. Amita Kanekar elucidated her topic "Buddhism: The Beginning" at Xavier Centre for Historical Research. Citing her sources as Romila Thappar, Nalin Swaris, BR Ambedkar, Debiprasad Chathopadhya, Uma Chavravati and others, Kanekar admitted to relying on secondary sources as she is not a scholar of Pali, which would enable her to translate primary sources. The birth of Buddhism was the outcome of the second urbanisation that took place in 6th century BCE in South Asia. South Nepal, Bihar Uttar Pradesh and Jharkhand were the areas that rapidly underwent a transformation during the time of the Buddha. This was a time when the conce

Making Authentic History Common Knowledge

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Amita Kanekar’s new historical novel Fear of Lions transports us into the world of Aurangzeb – a world of contradictions, where extravagant lifestyle and abject poverty are prevalent side by side…where a rebellion so powerful, led by a rumoured witch, threatens the Mughal Empire. This is Amita’s second novel after A Spoke in the Wheel, which was set during the period of Emperor Ashoka’s rule.  The novel took about 15 years to reach its culmination with the interspersion of other works such as The Portuguese Sea Forts of Goa, with Chaul, Korlai and Vasai along the way. It was mainly reworking the original writing and more in depth research that took up time. ‘I changed my attitude to the story and the way I looked at how it should be written because of exposure to ideas about caste, about anti-caste struggle, because basically this is an anti-caste story,’ says Amita.  The struggle of taking the research she had done and drawing a well-crafted appealing story out of it was a real one