Prutha Goa

Many a times we are held back from achieving our dreams because we permit our fears to overcome us. We stew in the hell our minds fabricate and sabotage our own ambitions. All Those Pipe Dreams is a reminder that surmounting the perceived obstacles in our path can be achieved by confronting our fears. The play opens with typical banter between husband and wife, with Caitu Soares playfully teasing his wife about her obsession with make-up and ‘high fashion’, while Veena harangues him to get the pipes fixed so that water will flow into the sink again. The scene seems innocuous enough to belie the prospect of anything untoward occurring or having occurred. We learn that Caitu has purchased this huge mansion in the hope of starting a restaurant but does not seem to have made a go of his dreams as yet. Sonali is Caitu and Veena’s daughter, we learn, who has not visited home in a long time and is designing furniture in Chennai. Both parents yearn for their absent child. Meanwhile Caitu sets

  The Giver is an art exhibition that will be held from the 16th to the 18th of March at Kala Academy, showcasing choice works by artists Clarice Vaz and Stacy Fernandes. The exhibition is a statement on the environmental exploitation that is rampant in these times, especially in Goa – we should be giving back to nature since she is the mother whose unconditional love nourishes us in a myriad ways. The paintings and charcoal sketches on display reflect the self-taught artists’ love for nature. The exhibition will be graced with the presence of cartoonist Alexyz as the guest of honour and Governor Mridula Sinha as the chief guest. Part of the proceeds will benefit the National Association for the Blind-Goa (NAB). Stacy Rodrigues has proved her mettle as an artist who has overcome her battle with Stargardt disease, or juvenile macular degeneration, which causes progressive vision loss, to achieve the status of Goa’s only visually impaired artist, and presently, after the demise of Binod

Artist Rubina De Souza and her partner artists in Artists for a Cause, are a happy reminder that where there is compassion, there is hope, and where there are artists, truth and reason make their appearance, acting as a conscience for the people. Artists for a Cause was started by Rubina De Souza with about 10-12 other artists in 2013. Since then the group has had four exhibitions with the aim of providing funds to give education to underprivileged children and youth in rural areas. Working in tandem with Don Bosco charities, the artists hope to provide this essential resource of education to bring value and a sense of purpose to the lives of these young ones. This year over 30 artists will be exhibiting works that will be sold to favour the Don Bosco charities with the resulting income. Rubina, whose brother, Fr Allwyn De Souza (Sulcorna), and son, Fr Royston De Souza (Kudal), are both Salesian priests, was inspired by the work done by the Salesians to change the lives of these rural

The month of January saw a flurry of postings on social media about the portrait photography of Alex Fernandes titled Festakars . The delicacy and other worldly beauty of these photographs, which captured the essence, the inner soul, of every one of the models who sat for him, is so very evident. This self-taught photographer of Goan origin wields the camera with great artistic expertise. ‘I am actually a product of the advertising and fashion industry,’ says Alex, who began his foray into the world of fashion and advertising as an assistant photographer in 1984 in Mumbai. From 1987 to 1990 Alex worked at his first job as a commercial photographer in the Middle East. The aftermath of the first Gulf War saw him join the Kodak distributor in Kuwait. He says, ‘During my tenure (1992-2001) I also conducted lighting workshops for the company. The workshops for Profoto film and Potra paper which were Kodak products used exclusively for portraiture were on behalf of Kodak (Near East) based in

Your first meeting with Clarice Vaz will find you a little overwhelmed by the enthusiasm this amazing human being exudes. Her exuberance comes across vibrantly through her vivid paintings, awash with a myriad of colours. As she begins to unfold her artistic journey before you, you realise there is the existence of a great deal of testing, out of which these wonderful paintings have evolved. Clarice excelled in academics but her empathic nature lead her to choose nursing over a more self-serving profession. After the birth of her sons, Clarice gave up nursing full-time and restricted her practice to the quaint village of Saligao where she lives. When her sons left to pursue further education she filled the vacuum with her childhood inclination to paint. In spite of having no training as an artist, Clarice possesses a mastery over her paints that can only come from deep conviction and her love for God. During her early days she produced paintings of the Last Supper, the Saligao church, p

  In a time when we are struggling to recognise our roots as Goans and fighting to keep our identity from merging into a potpourri of cultures, we have some clarity in the form of the various cultural festivals that have been peppering the years since the beginning of the 2000s and will hopefully continue on through the years to come. We have one man to thank for this and that man is Marius Fernandes, now dubbed ‘ Goemcho Festamkar ’ for daring to leave a lucrative career behind and spend 17 years injecting goenkarponn into the goenkars (Goans) and their progeny. Marius was not born in Goa, but in Kenya in 1959, albeit arriving into a family that was firmly entrenched in Goan culture. Adventure seems to run in his veins since his grandfather Mathias Xavier Fernandes found himself in Kenya after spending the night on a dhow. He had been trying to escape the confines of strict convent education and had sought refuge in the dhow for a night’s rest only to find himself sailing to the con

Abolianchem Fest , dedicated to the abolim flower, was celebrated by Nirmala Institute of Education as the institute’s annual Project Goa celebrations to showcase the socio-cultural aspects of Goan culture before 1975. This included music, games, songs, dances, food, art, craft, etc that is authentically Goan, so as to document and preserve these positive attributes of Goan culture for the benefit of present and future generations of Goans. The festival saw the revival of interest in the abolim , or firecracker flower, also known by its scientific name of Crossandra infundibuliformis . Although it was named the state flower in the early part of the 1970s, there has been a decline in the presence of the flower in most parts of Goa. The abolim flower has been an integral part of religious and cultural rituals in Goa for years, and its resurgence has been spearheaded by the  Abolianchem Fest . Nirmala Institute of Education, where the Abolianchem Fest was held, has been Goa’s foremost s

The Muzgachem Fest at Carmel College of Arts, Commerce and Science for Women, Nuvem was a flurry of musical notes, art and delving into Goa’s cultural roots. On the 9th of December 2017, Marius Fernandes organised his penultimate cultural festival in collaboration with the women’s college which was established in 1964. The campus was abuzz with the chatter of young women around the college’s trademark trees before the basketball court. Clarice Vaz Artist Clarice Vaz, who specialises in spin painting, fluid painting and syringe painting, was on form demonstrating painting using combs and brushes with her usual enthusiasm. Alexyz, the cartoonist, introduced visually impaired artist Stacy Rodrigues, an ex-student of Carmel Higher Secondary School. The indomitable Stacy spoke about her struggles with her eyesight and how she had conquered them. Savio Godinho spent time entertaining the young Carmel ladies with painting attractive images on their forearms. Akshay Chari, a graduate of the Go