Prutha Goa

A pharmacist, national level Scrabble champion, ex-football player and now a tiatr writer and director – Irineu Gonsalves has donned many hats and done it with tremendous success too. His drama, Gõy Gõykarachem, is evidence to this fact. Running houseful wherever it has been staged in Goa, the tiatr is hard hitting and unearths realities that most Goans are unwilling to confront owing to their reticent approach to issues affecting society. The crux of the drama focuses on land banks besides various problems related to Goa. ‘This is an issue that is close to my heart,’ says Mr Gonsalves, ‘and I have been writing letters to the newspapers for years. Besides I have written columns covering social issues and about football too.’ Clearly, he is a man driven to make a difference and he minces no words in condemning the usual suspects. ‘I got this idea of land bank development and that is what has made me come out with this drama because through this medium you can reach out to the people,’ h

Street plays have their origin in the effort to find a voice for the people by the people. An age old art form that existed eons before the more structured and regimented form of theatre came into existence, street plays made an effortless comeback on the performing arts scene in India, prominently during the era of the freedom struggle. This form of theatre requires the bare minimum of props and targets mostly a non-paying audience. Since electronic amplification is not a choice, voice optimisation is something every actor has to practise. With themes pertaining to the daily lives of people, street plays function as an efficacious wake-up call to the slumbering public amidst the tumult of corruption and social degradation. Konkani street play producers have carved a niche for themselves in developing this medium first and foremost for the promulgation of the language in the state of Goa. This direly needed recognition of the significance of Goa’s mother tongue has been provided by col