Prutha Goa

Memoirs take us back into the past, into a history that may be erased and its valuable essence lost if it is not preserved through documentation. Aloysius D’Souza’s Homeward Bound is a happy example of keeping memories of the past intact and available to future generations. Aloysius, who spent part of his childhood in Burma, recalls lively anecdotes of his life there and in Goa that prove to be a delightful learning experience. The opening pages of the book take us right into the Japanese attack on Burma in December 1941. The fear and commotion of the proceedings is told through the eyes of a young Aloysius, in very much the innocent candour of a young boy, but without negating the urgency of the situation. ‘As far as we youngsters were concerned this was a wonderful holiday. During the days, we investigated the neighbourhood, discovering Chinese market gardeners… ‘Most of these refugees, probably a million or more, trekked out through the jungles and hills of upper Burma into north e

Yesterday in Paradise , published by Goa, 1556, brings us the memoirs of Cyprian Fernandes, a journalist of note who is of Goan origin. The book opens to us the world that Cyprian was witness to from 1950 to 1974 in Kenya. He was born in Nairobi in 1943 into a family that was far from being an ideal one. This novel gives rich insight into the cultural attributes of the Goan diaspora in East Africa, and Kenya in particular. The political history of Kenya as retold by Cyprian Fernandes is gripping and extremely informative. Cyprian Fernandes is an anomaly in that his professional career began on the premise of a lie, but it was completely justified by proven merit. A graduate of the school of hard knocks, Cyprian, although a bright student with immense potential, left school at thirteen after a row with Fr Hannan, the headmaster. Ensuing a trail of jobs (once as a probation officer), Cyprian landed his first job as a reporter with the Nation at the age of sixteen. Gumption and his skill

Being a writer is a hard work and anybody who has dabbled in writing, albeit occasionally, will bear testimony to the fact. Imagine having the gumption to carry on with it alongside your primary source of income, or even adopting it as your only means of livelihood. Only the madness and passion that fuels the tenacity of writers presents us with a plausible answer to why there are people who have chosen to enter into writing professionally. From Mind to Keyboard , edited by Sheela Jaywant and published by Goa, 1556, is a book of stories from different writers living in Goa about their journeys as writers: what set off the spark and what kept them going despite any odds that presented themselves against their choice. The contributors are not all of Goan origin, and so they provide us with an insight into a writing world and its struggles that goes beyond the narrow confines of our State. It is, nevertheless, heartening to acknowledge the number of prominent writers Goa has produced. The

Alcoholism has been a killer and destroyer of familial peace hiding in plain sight. This is because we chose to ignore it if it does not affect us directly. Many in society still have an attitude of disdain towards persons encumbered by this disease as it is seen as a sign of weakness. The stigma attached to it has led to deaths because alcoholics could not come to terms with their problem and families have been left devastated and in social, emotional and financial turmoil. Maria Viency Cardozo’s maiden venture as a writer has resulted in a book Diamonds Under My Feet that offers courage to all those families and individuals afflicted by this insidious malady. She says, ‘The book is all about a message of hope for families suffering because of the problem of alcoholism.’ Even though alcoholism is termed AUD or alcohol use disorder by the DSM-5 (Diagnostic and Statistical Manual of Mental Disorders-5), the awareness of the fact that it is a disease and that sufferers can avail of help

Reading Shorty Gomes: Vintage Crime Stories immediately transported me to a black and white TV era, where detectives were gritty and unafraid of gore. He is quite unalike Christie’s Poirot and, as his creator Ahmed Bunglowala will attest, ‘I perceive the British school of crime writing as too passive and plot-heavy. I write in the American school of hardboiled fiction, made famous by Dashiell Hammett and Raymond Chandler.’ Bunglowala recommends the reading of Chandler’s essay, "The Simple Art of Murder", to connoisseurs of the crime genre. The stories in the book consist of three long-short stories that appeared previously as The Days and Nights of Shorty Gomes , published by Rupa &Co, whereas the fourth short story, 'Nagpada Blues', was published by HarperCollins India in the crime anthology Mumbai Noir in 2012. The stories, titled 'The Dark Side of Diamonds', 'The House on St Peter’s Street', 'Long Shadows of the North', and 'Nagpad

Samir Nazareth treats us to his personal brand of humour as he takes us along for the ride through his travelogue, journeying across various states of India. In conversation with Aniruddha Sengupta at the Literati Bookshop, Calangute, he revealed the inspiration behind his decision to traverse the Indian coastline from Gujarat to Sikkim and pen down his experiences in 1400 Bananas, 76 Towns and 1 Million People . The book explores people, how perspectives change when we witness alternative cultures first-hand and history and its implications in the present times. Sloughing off the responsibilities of a regular pencil pusher, Samir decided to take off on what he believed would be a redeeming experience and enable him to live out a dream that had enthralled him since his days as a postgraduate student. Back then it was a dream to escape his scholastic endeavours, but the lack of a bank balance did much to dampen his enthusiasm. In his mature years, the impetus was transmuted into the des

The Mustard Seed Company is a name well associated with quality English theatre and has evolved entirely in Goa, thanks to the efforts of Isabel de Santa Rita Vas. The amateur theatre company has in the past performed plays that make you stop and think about life, society, the world, and the role you have to play. The latest production of The Mustard Seed Art Company is called Good Luck, Bad Luck, Who Knows? , and it will transport its audience to a street in Goa. Why a street, you ask. Isabel Vas says, ‘This is where things happen, where people’s paths cross, where strangers make contact and for a moment become neighbourly.  Streets are pathways and footpaths, but they are far from being mere blank spaces between the point of departure and the point of arrival. Flanked by doorways and window sills, and verandahs and attics, the street is filled with sounds and smells and lights and shadows, presence and absence. It’s on a street that long lost friends bump into each other, where the f

Lights Out! by Manjula Padmanabhan finds new expression through Dnyanesh Moghe’s direction and his actors. The play, which was performed on the 10th of August 2019 at the Multipurpose Hall, Central Library, Panjim, was inspired by a true incident that took place in 1982 in Santa Cruz, Bombay, albeit with fictional characters recreating it. The play commences with an unnerving, unearthly cry, evoking a sense of trepidation and suspense. We are told that the protagonist Leela has been hearing these distressing cries for some time and been pressuring her husband Bhaskar to call the police. Although she is not certain of the reason for the cries, innate intuition does not allow her to dismiss them as anything but the result of a crime. Bhaskar, on the other hand, finds every excuse in the book to avoid calling the police. He deems it fit, however, to call his friend Mohan to watch the ‘spectacle’ that we learn he has been witness to. What follows is an inane justification of the clearly un

When the Day Was Young is The Mustard Seed Company’s latest serving of amateur English theatre, much appreciated by those who feel the dearth of English language plays in Goa. The play that was performed at Gomant Vidya Niketan, Margao, and in collaboration with Sunaparanta, Goa Centre for the Arts, Panjim, at the Sunaparanta amphitheatre, dealt with the age-old problem of seniors being relegated to homes for the elderly. The playwright, Isabel Vas, delves into the deeper concerns that affect the golden years with a touch of magical realism. The story begins with Bonita, an old woman, having a conversation with herself, and attempting to cheer herself up with some entertainment to keep her sanity. There is a supernatural being she communicates with who is not revealed to the audience. Sushila, the caretaker, or supervisor, of the old age home, is extremely ‘by the book’ and brooks no rule to be broken. A future political aspirant, Sushila is an uptight personality who is governed enti

Goa has a new reason to be proud, as the Hauns Sangeet Natya Mandal, Ponda, has pioneered the staging of an adaptation of Raymond Smullyan’s dialogue between man and his Maker on the dilemma of possessing free will. The play is called Is God a Taoist? and is based on Smullyan’s book The Tao is Silent . Raymond Smullyan has had a singular career course that has ranged from stage magic to authoring books on Taoism. The nonagenarian polymath is acclaimed for his manifold talents as concert pianist, logician, Taoist philosopher, mathematician, puzzle maker, and magician. In his book, published in 1977, Smullyan gave an understanding of Eastern philosophy to the Western world for the first time. It is Smullyan’s surmise that the Taoist is one who enjoys what he has rather than looking for that which is not in his grasp. The dialogue begins with man urging God to take away his free will, which he sees as the bane of his existence and the reason for his sinfulness. Through a pattern of reaso

Many a times we are held back from achieving our dreams because we permit our fears to overcome us. We stew in the hell our minds fabricate and sabotage our own ambitions. All Those Pipe Dreams is a reminder that surmounting the perceived obstacles in our path can be achieved by confronting our fears. The play opens with typical banter between husband and wife, with Caitu Soares playfully teasing his wife about her obsession with make-up and ‘high fashion’, while Veena harangues him to get the pipes fixed so that water will flow into the sink again. The scene seems innocuous enough to belie the prospect of anything untoward occurring or having occurred. We learn that Caitu has purchased this huge mansion in the hope of starting a restaurant but does not seem to have made a go of his dreams as yet. Sonali is Caitu and Veena’s daughter, we learn, who has not visited home in a long time and is designing furniture in Chennai. Both parents yearn for their absent child. Meanwhile Caitu sets

There have been claims that Konkani (Devnagri) and Marathi theatre seems to lose out to the tiatr every time. Whether it is negligent advertising or a bias in favour of the Romi script tiatrs is not absolutely clear. Calculating the worth of a play on the basis of language, script or dialect seems rather unfair to the art form as a whole and the participants: actors, directors, producers, set designers, etcetera. Each has its own virtues to excite artistic sensibilities. Prayog Saanj is an initiative of the Directorate of Art and Culture, Goa, to provide a suitable platform for experimental theatre without any discrimination on the grounds of language. The last Saturday of every month sees the unveiling of original plays by talented playwrights which are presented at the Multipurpose Hall of Sanskruti Bhavan, Panaji. The last Saturday of June saw the Konkani drama Chakra , a one act play written and directed by Gopal Bhimber. The cast included Ugam Zambaulikar, Saurabh Karkhanis, Preet

Twenty years of celebrating World Goa Day are nearing successful completion, and a global cartoon contest is being organised with the theme of ‘Goa’. This event is open to the Goan diaspora irrespective of age and gender. Your cartoons can be uploaded to the World Goa Day Facebook page https://www.facebook.com/WGD-2019-Cartoon-Contest-296427724639421/  until the 30th of June 2019. World Goa Day was first celebrated on the 20th of August 2000 with a special emphasis on the date as it is when Konkani, Goa’s native language, was included in the 8th schedule of the Indian Constitution by the Indian Parliament in 1992. The date varies in countries around the world for the reason of practicality but is always celebrated around the original date. The cartoon contest for 2019’s World Goa Day is of particular significance because it sees a collaboration between the founder of World Goa Day Rene Barreto and Goa’s own socio-political cartoonist Smitha Bhandare Kamat. The focus of this competitio